{"id":2193,"date":"2022-01-18T18:23:42","date_gmt":"2022-01-18T17:23:42","guid":{"rendered":"http:\/\/www.francescovaccarone.it\/francesco-vaccarones-works-at-camec-opere-1957-2011\/"},"modified":"2022-01-19T12:03:54","modified_gmt":"2022-01-19T11:03:54","slug":"francesco-vaccarones-works-at-camec-opere-1957-2011","status":"publish","type":"post","link":"https:\/\/www.francescovaccarone.it\/en\/francesco-vaccarones-works-at-camec-opere-1957-2011\/","title":{"rendered":"Francesco Vaccarone&#8217;s works at CAMEC Opere 1957\/2011"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-justify-content-center\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0% 5% 0% 5%;\"><style type=\"text\/css\">@media only screen and (max-width:1024px) {.fusion-title.fusion-title-1{margin-top:0px!important; margin-right:0px!important;margin-bottom:50px!important;margin-left:0px!important;}}@media only screen and (max-width:640px) {.fusion-title.fusion-title-1{margin-top:0px!important; margin-right:0px!important;margin-bottom:20px!important; margin-left:0px!important;}}<\/style><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"margin-top:0px;margin-right:0px;margin-bottom:50px;margin-left:0px;\"><h1 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:35;line-height:1.75;\">Francesco Vaccarone&#8217;s works at CAMEC Opere 1957\/2011<\/h1><\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-justify-content-center\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-0 fusion_builder_column_inner_1_3 1_3 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div style=\"text-align:center;\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img width=\"282\" height=\"400\" title=\"2011152337__manif\" src=\"https:\/\/www.francescovaccarone.it\/wp-content\/uploads\/2022\/01\/2011152337__manif.jpg\" data-orig-src=\"http:\/\/www.francescovaccarone.it\/wp-content\/uploads\/2022\/01\/2011152337__manif.jpg\" alt class=\"lazyload img-responsive wp-image-2098\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27282%27%20height%3D%27400%27%20viewBox%3D%270%200%20282%20400%27%3E%3Crect%20width%3D%27282%27%20height%3D%27400%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.francescovaccarone.it\/wp-content\/uploads\/2022\/01\/2011152337__manif-200x284.jpg 200w, https:\/\/www.francescovaccarone.it\/wp-content\/uploads\/2022\/01\/2011152337__manif.jpg 282w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 1024px) 100vw, (max-width: 640px) 100vw, 282px\" \/><\/span><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-nested-column-0{width:33.333333333333% !important;margin-top : 0px;margin-bottom : 0px;}.fusion-builder-nested-column-0 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 5.76%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 5.76%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-nested-column-0{width:100% !important;order : 0;}.fusion-builder-nested-column-0 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-nested-column-0{width:100% !important;order : 0;}.fusion-builder-nested-column-0 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-1 fusion_builder_column_inner_2_3 2_3 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><p>An anthological exhibition dedicated to Francesco Vaccarone is being prepared for the CAMeC, curated by Valerio P. Cremolini, which will be inaugurated on 10 December 2011 (6:00 pm) and open until 19 March 2012.<br \/>The large exhibition event, which will occupy two levels of the Center, is promoted and produced by the Institution for Cultural Services of the Municipality of La Spezia, with the active support of the START\u00c8 Association of La Spezia (which promotes Italian art internationally). Graphics, catalog and layout Marco Condotti Studio.<\/p>\n<p>The more than fifty-year creative season of Francesco Vaccarone, born in La Spezia on 4 October 1940, will be documented by well-known graphic and pictorial cycles (Gabbiani, Clochard, Forme, Calvari, Incontri, Cinque Terre, Musica, etc.) and by the most recent production also plastic. Like the exhibition projects dedicated to Giuliano Tomaino and Marco Casentini, this exhibition and the volume that accompanies it intend to retrace the entire creative process of an author from La Spezia whose work has long drawn from the international sphere and is present in public collections, collections private individuals, universities and museums in Italy and abroad.<\/p>\n<\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-nested-column-1{width:66.666666666667% !important;margin-top : 0px;margin-bottom : 0px;}.fusion-builder-nested-column-1 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 2.88%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 2.88%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-nested-column-1{width:100% !important;order : 0;}.fusion-builder-nested-column-1 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-nested-column-1{width:100% !important;order : 0;}.fusion-builder-nested-column-1 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><\/div><div class=\"fusion-text fusion-text-2\" style=\"margin-top:-20px;\"><div id=\"main\">\n<div id=\"testo_dett\">\n<p>The dense experience of Vaccarone, continuously supported by a vast critical literature including contributions by authoritative scholars (Francesco Barocelli, Enzo Carli, Dino Carlesi, Enrico Crispolti, Enzo Di Martino, Carlo Ludovico Ragghianti, Marzia Ratti, Pier Carlo Santini, Franco Solmi, etc. .), it passed from the personal reading of Expressionism, later flanked by interesting experimental passages, to the consolidated affirmation of its own language, lively based on the binomial &#8220;figuration-abstraction&#8221;.<\/p>\n<p>The anthology is accompanied by an extensive monographic catalog, which will contain, in addition to the institutional texts, contributions by Valerio P. Cremolini, Peter Frank and Eleonora Acerbi, as well as updated critical and bibliographic apparatuses. Francesco Vaccarone was born in La Spezia on 4 October 1940, where he lives and works. He began painting at a very young age under the guidance of the masters from La Spezia Giuseppe Caselli and Gino Bellani, while dedicating himself to classical and philosophical studies. From 1957 to 1964 he presented his first personal exhibitions and took part in numerous group exhibitions in many Italian cities. The creative language of this early period looks with particular attention to German expressionism. From 1965 to 1969 he was engaged, also with a studio in Genoa, in research on visual languages \u200b\u200bin close contact with poets (Group 63) and artists of the Italian experimental avant-garde (Trerosso di Genova, &#8217;70 of Florence, LineaSud of Naples), with which gives life to conferences and exhibitions.<\/p>\n<p>In 1970 he moved the Genoese studio to Rome, perfecting his knowledge of chalcographic techniques at the printing house &#8220;Il Cigno&#8221; and making many engravings. He frequents artists including Marini, Gentilini, Raphael Mafai, Zancanaro, Guttuso, Fieschi.<\/p>\n<p>The first monograph dedicated to his work dates back to 1973, with a preface by the art historian Enzo Carli and the poet Dino Carlesi, edited by the Macchi Art Gallery in Pisa. Following exhibitions in Italy and Switzerland and the assignment of prestigious awards.<\/p>\n<p>In 1976 he moved his second studio to Milan until 1990. The relationship with corporeality, physical, psychological and historical space are the new, central cornerstones of the thought that animates her work in recent years, as Madeleine Guignard warns, presenting it in the catalog for the exhibition that, in France, the University by Clermont Ferrand dedicated to him in February 1976. In 1977, edited by Franco Solmi, director of the Galleria d&#8217;Arte Moderna in Bologna, a new monograph, entitled &#8220;Eclisse&#8221;, was published by Edi \/ Albra in Turin.<\/p>\n<p>In the years 1977-1990 exhibitions were set up in museums, universities and private galleries in Italy in Monza, Venice, Milan, Ferrara, Gallarate, Bergamo, La Spezia, Reggio Emilia, Parma, Turin, Lerici, Florence, Pisa, San Marino, Massa , Piombino, Viterbo and Stockholm, Cardiff, Helsinki, Bucharest, Amsterdam, Montreal, Toronto, Ottawa, Forssa, Los Angeles, Munich, Paris, Seloncourt, Reykiavik. In 1986 a new book on his work was published by Carlo Ludovico Ragghianti, entitled &#8220;Francesco Vaccarone, homage to the Gulf of Poets&#8221;, and in the same year he was invited with three major works to the IX National Quadrennial of Rome, in the historical section &#8220;Emergencies of Italian artistic research from 1950 to 1980&#8221;.<\/p>\n<p>In 1988 he was awarded the &#8220;Do Forni&#8221; international prize for graphics in Venice and the Murano prize. In 1990 a large anthological exhibition was set up at the Palazzo dei Diamanti in Ferrara and for the occasion a monograph entitled &#8220;From dawn to dusk&#8221; was edited by Mich\u00e8le Lavall\u00e9e, director of the Strasbourg Museums, and by Enzo Di Martino, director of the International Center of Graphics in Venice. Exhibitions follow in Venice, La Spezia, Busto Arsizio, Ischia, Vasto, Krakow, Rome, Civitanova Marche.<\/p>\n<p>In 1997 he was awarded an international prize at the II Triennial of graphics of Macedonia and in 1998 the first prize at the IX International Biennial of Carpi dedicated to Xylography. In 2003, to underline his commitment to the knowledge and dissemination of artistic languages \u200b\u200band the defense of their freedom, he received the Silone Prize in Italy, while the Constantinian University of the State of Rhode Island USA confers on him an honorary degree in Aesthetics.<\/p>\n<p>Between 2000 and 2004 he holds a cycle of lectures in Polish universities where he carries out numerous exhibitions; retrospectives follow in Havana, Marina di Massa, Framura (for Ezra Pound), Noceto nell&#8217;Emilia, where he also creates a large marble sculpture dedicated to the theme of peace. On this occasion, a new contribution is published, edited by Francesco Barocelli, art historian of the University of Parma, which contains a critical anthology chosen from texts by numerous scholars and artists who have turned their interest to Francesco&#8217;s work. Vaccarone and an extensive bibliography from 1960 to 2004. Organized by the Egyptian government and the Italian embassy, \u200b\u200ba personal exhibition of his was set up in Cairo in October 2004, with paintings executed between 1970 and 2004.<\/p>\n<p>In 2005 he began an exhibition cycle in the USA and began working on two large marble bas-reliefs dedicated to Pope John Paul II for the Municipality of Noceto, completed in April 2006, the year in which the Municipality of Parma dedicates an anthological exhibition to him.<\/p>\n<p>In 2008 the Municipality of Pisa set up a new organic exhibition with works carried out between 1973 and 2008; in the following months he awaited the creation of thirty paintings dedicated to Liszt, Rachmaninoff and Tchaikovski for an exhibition cycle in Argentina and completed, again in Noceto, a four-meter-high marble sculpture dedicated to the Italian missions of peace in the world. He is invited with three works to the international exhibition &#8220;Estetika, Forma e Segno, from Renoir to De Chirico&#8221; at Villa Ponti in Arona and is present, with the Corsanini workshop, with six new sculptures at the XIII International Sculpture Biennial of Carrara.<\/p>\n<p>In 2009 he held a solo show at the Deutsche Bank in La Spezia, while the Municipality of Rapallo promoted a vast anthological exhibition in the Antico Castello sul Mare with a section of paintings dedicated to Ezra Pound. A nucleus of works is present at the Manege Museum in Saint Petersburg as part of the exhibition &#8220;Masters of 20th century Italian art&#8221;.<\/p>\n<p>In 2010 he inaugurates an anthological exhibition at the European Parliament in Strasbourg and then at the Italian Cultural Institute of this city; then in New York at Lincoln Center with a cycle of works dedicated to Jazz music. In May 2011 he held a solo show at Banca Monte Paschi di Siena in Brussels. He is present at the 54th Venice Biennale, Italian Pavilion, Ligurian Artists (Genoa, Palazzo della Meridiana, until 9 October 2011).<\/p>\n<\/div>\n<\/div>\n<\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:30px;width:100%;\"><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-0{width:100% !important;margin-top : 0px;margin-bottom : 50px;}.fusion-builder-column-0 > .fusion-column-wrapper {padding-top : 0% !important;padding-right : 5% !important;margin-right : 1.92%;padding-bottom : 0% !important;padding-left : 5% !important;margin-left : 1.92%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-column-0{width:100% !important;order : 0;}.fusion-builder-column-0 > .fusion-column-wrapper {padding-right : 8% !important;margin-right : 1.92%;padding-left : 8% !important;margin-left : 1.92%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-0{width:100% !important;order : 0;}.fusion-builder-column-0 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><\/div><style type=\"text\/css\">.fusion-fullwidth.fusion-builder-row-1 { overflow:visible; }.fusion-body .fusion-flex-container.fusion-builder-row-1{ padding-top : 0px;margin-top : 0px;padding-right : 0px;padding-bottom : 0px;margin-bottom : 0px;padding-left : 0px;}<\/style><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Vaccarone&#8217;s dense experience, continually supported by a vast critical literature including contributions from authoritative scholars, passed from his personal reading of Expressionism, later flanked by interesting experimental passages, up to the consolidated affirmation of his own language vividly based on the binomial &#8220;figuration -abstraction&#8221;.<\/p>\n","protected":false},"author":1,"featured_media":2098,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0},"categories":[30],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.9 - 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